In early XXI century, the Balkan region was completely devastated by removing socialism quickly and entered into a wild, weird and very aggressive transition that’s still ongoing today. We’ll keep politics aside very quickly – I promise, however when this ...
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Leather Coated Bitch is the latest offering from the Balkans blitzkrieg brutalist DJ Bazootka – an inferno of collective entities; cross-weaving the stylizations of ghettotek, Detroit, Dutch punk techno and smoked out brain-danced inflections. (more…)
How much bang would you like? Yes.
Since the beginning of quarantine artists have been releasing more music then before to at least try to stay afloat and continue with their love. And it feels like more than ever before that many releases get lost in the algorithm. This had almost happened with the latest SÆDEM release. Luckily, if one searches for current bangers themselves, rather than letting machines choose what you might like, you will be able to trace down gems like this one. (more…)
Different Views, More To Choose
It is not a new normal. Everything is a new NOW. Céili Collective was recommended to me in my Bandcamp feed and the description “Various artist focused label driving out of London” caught my attention right away. When I then saw that they released a compilation featuring some artists I really like, I bought it on cassette without hesitation and listening. (more…)
Vladimir Dubyshkin is back and is taking us on another trip of his auditory mind adventures. As he explains it himself, this one is a mesh of inspiration from absurd dialogues from Russian lullabies and the overflooding porn culture from the 90s.
The newest EP “Pornographic Novel” will be released on 21st of August, and is available for pre-ordering on Bandcamp and on Vinyl. It is released on Russian label трип led by Nina Kraviz, and it’s the third installment by him on the label, previously having released a two-parted release “For Various Reasons” on Berlin based Macro Recordings. (more…)
Reality Tunnels starts with “Entangled Particles” that features Emika on vocals, a very deep sounding track that immediately puts the cards on the table for what is about to come next. The switch from the slow trip-hop breaks to the junglist fast-paced rhythm hugged alongside the massive and atmospheric pads alongside Emika’s vocals is done with a real sense of sound manipulation and creation of the atmospheric universe that only a sound storyteller can do properly.
And Pinch has never been a producer to create fast-groove-bangers, the words I’d like to use for just dancefloor bangers. The addition of another layer in the sound story is what puts him and this release aside from the others. For some this could be uniqueness, but I believe its first the ability to transform his ideas and transform his soundscapes into reality at the end, besides the unique signals he strongly radiates throughout the album. Continuing forward with the second track and former Roll Deep member Trim on vocals, he introduces us to a sub bass focused tune alongside brutal mid-tone wobbles and industrial sounds throughout.